A genuine piece of the early printed age: the Imago Mortis (“Dance of Death”) woodcut from the 1493 Nuremberg Chronicle, produced in the Nuremberg workshop of Michel Wolgemut and Wilhelm Pleydenwurff — the same workshop where the young Albrecht Dürer trained. Five skeletons rise in a macabre dance: one of the defining memento mori images of the late medieval world.
Each print is made to order as an archival giclée. Choose your paper: a heavyweight 285 gsm textured fine-art stock (our Museum weight) or a lighter 200 gsm matte (Studio) — in sizes from roughly 28×23 cm to 61×46 cm (shown in inches at checkout). And because we’re a Dublin framing studio first, you can bring your print into the workshop to have it mounted and framed by hand, with 10% off a bespoke frame.
A genuine piece of the early printed age: the Imago Mortis (“Dance of Death”) woodcut from the 1493 Nuremberg Chronicle, produced in the Nuremberg workshop of Michel Wolgemut and Wilhelm Pleydenwurff — the same workshop where the young Albrecht Dürer trained. Five skeletons rise in a macabre dance: one of the defining memento mori images of the late medieval world.
Each print is made to order as an archival giclée. Choose your paper: a heavyweight 285 gsm textured fine-art stock (our Museum weight) or a lighter 200 gsm matte (Studio) — in sizes from roughly 28×23 cm to 61×46 cm (shown in inches at checkout). And because we’re a Dublin framing studio first, you can bring your print into the workshop to have it mounted and framed by hand, with 10% off a bespoke frame.
