Julie de Graag’s A Rose (1918), a woodcut in which the Dutch artist strips a single bloom back to its architectural essentials — the turn of the petals, the line of the stem. De Graag (1877–1924) had a rare gift for finding the structure inside a natural form, and this modernist botanical is a quiet, confident example.
Each print is made to order as an archival giclée. Choose your paper: a heavyweight 285 gsm textured fine-art stock (our Museum weight) or a lighter 200 gsm matte (Studio) — in sizes from roughly 28×23 cm to 61×46 cm (shown in inches at checkout). And because we’re a Dublin framing studio first, you can bring your print into the workshop to have it mounted and framed by hand, with 10% off a bespoke frame.
Julie de Graag’s A Rose (1918), a woodcut in which the Dutch artist strips a single bloom back to its architectural essentials — the turn of the petals, the line of the stem. De Graag (1877–1924) had a rare gift for finding the structure inside a natural form, and this modernist botanical is a quiet, confident example.
Each print is made to order as an archival giclée. Choose your paper: a heavyweight 285 gsm textured fine-art stock (our Museum weight) or a lighter 200 gsm matte (Studio) — in sizes from roughly 28×23 cm to 61×46 cm (shown in inches at checkout). And because we’re a Dublin framing studio first, you can bring your print into the workshop to have it mounted and framed by hand, with 10% off a bespoke frame.
